{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://georgiadusk.aviaryplatform.com/iiif/k649p2z331/manifest","type":"Manifest","label":{"en":["BFF's Get Free: Kennedi Malone"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/699/original/Georgia_Dusk_Tagline_Primary_2x.png?1750685138","metadata":[{"label":{"en":["Duration"]},"value":{"en":["00:10:16"]}}],"provider":[{"id":"https://georgiadusk.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Georgia Dusk"]},"homepage":[{"id":"https://georgiadusk.aviaryplatform.com/","type":"Text","label":{"en":["Georgia Dusk"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/699/original/Georgia_Dusk_Tagline_Primary_2x.png?1750685138","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20250626-778-xl5lo9.mp4"]},"duration":616.842,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/content/1","type":"AnnotationPage","items":[{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-georgiadusk.s3.wasabisys.com/collection_resource_files/resource_files/000/278/565/original/open-uri20250626-778-xl5lo9.mp4?1750935340","type":"Audio","format":"audio/mp3","duration":616.842,"width":640,"height":360},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565","metadata":[]}]}],"annotations":[{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404","type":"AnnotationPage","label":{"en":["Kennedi Malone Transcript [Transcript]"]},"items":[{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone\n\nJune 10, 2023","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=0.0,0.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins  \n\nWelcome, Kennedi. Thank you for joining us today,","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=0.0,2.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone \n\nOf course.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=2.0,3.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins \n\nAll right, could you please introduce yourself with your name, your pronouns, your age, and the cultural or organizing work you do?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=3.0,10.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone \n\nAbsolutely. My name is Kennedi Malone. I'm 20 years old, and a local to, Oh, I use she/her pronouns. And I'm a local to Decatur, Georgia. I'm an Agnes Scott student. I work with the social justice organization Justice for Black Girls. And we intend to expand global knowledge on how US-based systems harm girlhood Black girls, that also how we capital W, We respond to that harm. And then I also started my own feminist jewelry collective, where we make handmade jewelry and then donate the profits to local reproductive justice organizations in the area, Beads for Our Bodies on Instagram, if you're curious. Yeah, that's what I do.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=10.0,50.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins  \n\nAwesome. Thank you. And so what led you to black feminism?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=50.0,54.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone  \n\nUm, so at first, I would say the classroom. But then I think about like, the, the ways in which Black feminism is rooted in the everyday experiences, it's not just this policy work, or it's not just getting a law passed, it's about the lived, making transformative change. So the ways that we are able to pay our bills, the ways that we're able to have access to quality food, and food in general. And those are all concerns that like I was made aware of, with my grandparents, when I would go to Michigan to visit them or my great grandparents and my aunts and uncles. And this idea of equity was definitely introduced to me by my great-grandfather, actually. He started his own asphalt and paving company in Grand Rapids, Michigan, he was the first Black owner. And so I guess, the men and women in my life early on introduced me to Black feminism, but then that got clarified, growing up with just my mom and my sister for most of my life, and then in the classroom. So that's where I am mostly continuing my Black feminist education, in the classroom, but it started at home.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=54.0,136.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins \n\nAnd so what is a significant moment in your Black feminist journey?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=136.0,147.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone  \n\nSo I took a comparative Black feminisms course this most recent semester. And this is where, like, I got a very, I think, robust introduction into womanism. And I had heard feminism and womanism used interchangeably, like in conversation, and then sometimes also used as the antithesis of each other. But being able to really, for myself, discern what the differences and similarities are between those two frameworks, I felt more called to womanism. Or I felt called to womanism period, because of the ways that it is a more explicit invitation to use spirituality as a framework for liberation, or as a pathway for it to. And I think, growing up in a classroom, and honestly, under the illusion of the separation of church and state, but we know that we live in a theocracy, most of the time, like, I had felt that the only valid way to do change, or to be a respected change maker was to be separate from any or to like, present yourself as separate from a religious tradition, or a faith of any kind. But that felt more and more disingenuous to me as I continued my Black feminist journey, and my social justice experience, I guess, because so much of what I believe politically, is informed by what I believe faithfully. And it's been a lot of work trying to figure out how to bridge them in a way that is ethical, that is faithful to me, and what I believe. But, yeah.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=147.0,269.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins  \n\nAnd I'm curious about what would feel what would feel faithful to you in this, in a spiritual and Black feminist or womanist journey?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=269.0,280.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone \n\nUm, and this is, this makes me emotional. What feels faithful to me is a deep, deep reconciliation between like, the horrendous, almost Obeah-like, that is so steeped in historical Black activism, and also Christianity in general. And, like, as I become closer to what I feel, it's faith and deep spiritualism, like, it's just so disheartening how those attacks and that damage is so un-Christ like, and so distant from what was supposed to be. And so, but then also like realizing how much of that programming, even though I call myself someone who is working towards social justice, is embedded within myself. And that process of recognizing the disconnect between my ideals and my socialization is honestly so frustrating and so disheartening. But it's a realization that has to be had in order to move forward in my journey. And so that's, I'm seated in this deep place of conflict with this deep reconciliation that I desire towards. But hopefully, I'm making progress.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=280.0,375.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins  \n\nSo I'm curious about what brought you to this conference this weekend? And what were you hoping to get out?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=375.0,383.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone\n\nSo I'll be honest, I came to this conference as a facilitator, like solely and initially. But as I researched more about BFF (Black Feminist Future), I realized that it was very much divine timing, because I mentioned I took a comparative Black feminisms course. And like, being in an explicitly Black feminist space where like, all of these concepts and people and faces and like, theories, I just learned about are being embedded into praxis was like, kind of like, oh, my gosh, this is real, like, I knew this was real, because all of these things resonate with me, but I was like, Oh, my gosh, this is like a whole organization of people doing this. And like, trying to push this further and further and further. And so I was really excited to kind of connect the dots between what I learned in the classroom and what I see. And I was really excited to come into this space. And not have to, like, guess what people's leanings were, and not have to guess what people were entering this space with. And I feel like a similar sense of comfort, but not exactly the same, but similar at my college, because we are like a liberal arts private college. So like, everyone knows why we are here, like everyone, I think there is a very special demographic that commits to Agnes. And with that comes a sense of security with you know, who you're in community with that, that trust that you know, who you are in community with, and what they stand for. And what you can ask them for, and what you can talk about, and I was so excited to experience something, even more than that, like, rooted in our ideals, our values, and our political leanings, but also the community that we share in being Black.","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=383.0,507.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dartricia Rollins  \n\nAnd so, what Black feminist future are you building?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=507.0,512.0"},{"id":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565/transcript/94404/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Kennedi Malone  \n\nIn myself, with myself, a Black feminist future that does not shy away from the, like, the embodied and very somatic and not so intellectualized ways of being and entering the world, of making sense of the world. Because faith is sort of it's so connected to my upbringing and so connected to like, my value system. It's a sort of second nature. But because I sort of intellectualize it, I have, I've separated it. And by intellectualize, I mean like, this enlightenment tradition of rationalizing and like the scientific method sort of thing, is this logical or not. But I want to step away from that a little bit, so that I no longer feel like I have to, like, divide myself, leaning into what is the natural leaning into what feels right and what feels comfortable. Because there's a great sense of validation in that, and I think a Black feminist future is a future where we are open, openly validate,d and free to feel exactly what we want to feel and use that I use that comfort and use that home to then give that same comfort and home and care and love to the people around us. Do you have a question?","format":"text/plain"},"target":"https://georgiadusk.aviaryplatform.com/collections/3340/collection_resources/151056/file/278565#t=512.0,616.842"}]}]}]}